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The film traces Sam McKinlay’s early days as a punk skateboarder through his academic development as a conceptual artist into a highly esteemed noise practitioner whose work bridges the gap between the gallery world and the sleaze of exploitation film imagery. It documents the physical processes of his work and the distillation of visuals into sound, most notably addressing the appeal of abstraction—from the cheap effects of old monster movie makeup to the ‘masks’ created by the heavy cosmetic makeup of 1920s flapper culture and actresses like Pamela Stanford in Jess Franco’s Lorna the Exorcist (The Rita has albums or EPs named after several eurotrash actresses, including The Nylons of Laura Antonelli (2009) and Monica Swinn/Pamela Stanford (2016)).
Year: 2019
Genre: Documentary, Music
Studio:
Director: Mike McKinlay
Cast: Sam McKinlay
Crew: Kier-La Janisse (Producer), George Faulkner (Colorist), Mike McKinlay (Director), Mike McKinlay (Editor), Mike McKinlay (Director of Photography), George Faulkner (Sound Mixer)
Runtime: 27 minutes
Release: Jul 01, 2019
IMDb: 0.00/10 by 0 users
Popularity: 0
Country:
Language:
Budget: 0
Revenue: 0
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