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A comic and episodic satire, the film uses improvisation to illustrate the clash between fantasy and reality in real life. Although conceived in the style of Mekas’ “Hallelujah the hills” (1962), it’s an authentically Israeli satire, an openly rebellious and individualistic expression that poked fun at the sacred myths of earlier zionist films. The technique of film within the film is used to portray cinema as reflection of the imagination, a miracle based on dreams and fantasies that take on concrete characteristics – parallel to the miracle of Israel, the dream that has become reality. Although not a commercial success, its importance is beyond any measure, though it remains a unique experiment, boldly uncommercial and subversive, out of any context in that patriotic, ideological epoch.
Year: 1964
Genre: Comedy
Studio:
Director: Uri Zohar
Cast: Arik Lahav-Leibovich, Shmulik Kraus, Israel Gurion, Uri Zohar, Arik Lavie, Shaike Ophir
Crew: Mordecai Navon (Producer), Uri Zohar (Director), Amatsia Hiuni (Production Accountant), Amnon Salomon (Writer), Amos Kenan (Writer), Avraham Deshe (Producer)
Runtime: 75 minutes
Release: Jan 01, 1964
IMDb: 5.70/10 by 9 users
Popularity: 0
Country: Israel
Language: עִבְרִית
Budget: 0
Revenue: 0
Keyword :
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