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Getting Go: The Go Doc Project
Too shy to make a proper introduction, a recent college grad devises to shoot a documentary about the NYC nightlife scene in order to meet the go-go guy he’s cyber-obsessed with.
Year: 2013
Genre: Drama
Studio: Speak Productions
Director: Cory Krueckeberg
Cast: Tanner Cohen, Matthew Camp, Ramón Olmos Torres, Judy McLane
Crew: Cory Krueckeberg (Director), Cory Krueckeberg (Screenplay), Tim Sandusky (Music Arranger), Abraham Brown (Executive Producer), Aron J. Estaver (Associate Producer), John Parent (Executive Producer)
Runtime: 91 minutes
Release: Mar 04, 2013
IMDb: 6.20/10 by 48 users
Popularity: 0
Country: United States of America
Language: English
Budget: 0
Revenue: 0
Keyword : new york city, male prostitution, escort, lgbt, fake documentary, nightlife, college graduate, gay theme
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My initial thoughts of this were not great. The iPhone arms-length POV style of juddery photography made me think it was going to be an amateur effort. Well it is, but it isn't... The gorgeously charismatic Tanner Cohen is the younger than his years, inexperienced - on all levels - ("Doc") who falls for an erotic dancer online whom he calls "Go" (Matthew Camp) and comes up with a ruse to get to meet him and explore how he lives his life. Surprisingly, "Go" accepts the proposals and we end up with a love story told in a mix of cinematographic styles with one of the most erotically charged sex scenes I think I've ever seen from US gay cinema. Not raw sex with noise and sweat; but based on intimacy and a genuine affection for each other. Occasionally the scenes may linger a little too long; the pace of the editing could certainly have been tighter - but then maybe it would have lost some of it's authenticity and the characterisations some of their depth. Sometimes real life meanders a bit - we all have plenty of pointless times/conversations in our lives - adds to the richness. I hated the ending; but that's because all I wanted for the pair simply wasn't what they wanted for each other. In a world of largely frothy, contrived plastic drama, this is a stand out piece of creative, observational cinema with two really good, fun, engaging performances.